For the first, Splendor in the Glass, I channeled one of my favorite artists, Henri Fantin Latour, and purposely painted the setup without a table front, softened the edges where the background meets the table (a Latour trademark) and did my take on his subdued backdrop. With a book of his work close to my easel, between breaks it lifted my spirits and inspired my effort Having started (but never finished) the second painting sometime ago, still on a high from painting Splendor in the Glass, I decided to give it another go.
Whenever you rework flowers, it's easy to lose that spontaneous freshness. In an attempt to avoid that, and since the drawing had good bones, I decided to use my previous effort as a base and approached Sweet Sunshine with an alla prima mindset, painting extempore on top of the original and working wet into wet toward the finish.
4 comments:
I like it. Latour mostly used the same background for every painting which gets a little old but he sure could paint flowers and so can you.
I looked again - like returning to a museum. Both lovely paintings. I like your term "strong bones".
Could you do some smaller pieces so we can see more?
Bill, Just discovered your comments (albeit a few years late), after my post was shared on another artist's site. As always, your words are an inspiration.
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